Andreas Gerlach brings painting, digital technique and classical printmaking together into a visual language of his own, built from geometry, abstraction, colour and rhythm. His training as a graphic artist and his studies in mechanical engineering meet here, so constructive precision runs alongside intuitive design.

Music plays a central part, and with it the question of how rhythm, sound and dynamics shape our emotions and our perception. Gerlach translates that invisible effect into visual structures and intense fields of colour.

At the same time, he does not regard a finished picture as necessarily final. Some works are given reversible interventions over time, made with real everyday objects, disruptive bodies that change how the work is seen and what it means without touching the original painting. Whether and when that happens is left open. Only when the work is sold does the process end and the picture reach its final state.